Fontella Bass, 72, St Louis Soul Singer with big 1960's hit ‘Rescue Me,’ has died

Fontella Bass in 1995 (Jack Vartoogian/FrontRowPhotos) Story by NY Times Fontella Bass, the singer whose 1965 hit “Rescue Me” was an indelible example of the decade’s finest pop-soul, died on Wednesday in St. Louis. She was 72.  The cause was complications of a recent heart attack, her daughter Neuka Mitchell said. Ms. Bass was born in St. Louis on Feb. 3, 1940, and learned gospel at the side of her mother, Martha Bass, a member of one of the era’s major traditional gospel groups, the Ward Singers. From a young age she served as her mother’s pianist, but eventually, as an adolescent, got the itch to sing secular music. By the early 1960s she was playing with the legendary Little Milton, a blues guitarist and singer with links to the Chess label in Chicago. After some early recordings with Little Milton’s Bobbin label in St. Louis, she joined Chess and released her first records on its Checker subsidiary in early 1965. The first two, “Don’t Mess Up a Good Thing” and “You’ll Miss Me (When I’m Gone),” duets with Bobby McClure, had modest success on the rhythm-and-blues charts. But her career was made by “Rescue Me,” released later that year. Driven by a bubbly bass line, it featured Ms. Bass’s high-spirited voice in wholesomely amorous lyrics like “Come on and take my hand/Come on, baby, and be my man,” as well as some call-and-response moans that Ms. Bass later said resulted from a studio accident. “When we were recording that, I forgot some of the words,” she told the NY Times in 1989. “Back then, you didn’t stop while the tape was running, and I remembered from the church what to do if you forget the words. I sang, ‘Ummm, ummm, ummm,’ and it worked out just fine.” A major crossover hit, the song reached No. 4 on Billboard’s pop chart and has remained a staple on oldies radio, movie soundtracks and television commercials. Aretha Franklin sang a version of it for a Pizza Hut ad in the early ’90s (as “Deliver Me”). Ms. Bass recorded several follow-up singles for Checker, but all fell short of the popularity of “Rescue Me,” and she then veered toward the avant-garde jazz of her husband, Lester Bowie , the trumpeter of the Art Ensemble of Chicago. She went with the group to Paris at the turn of the 1970s and recorded with it there, but soon returned to the United States. A 1972 solo album, “Free,” was unsuccessful, and Fontella Bass turned to raising her four children with Lester Bowie.  Besides Neuka Mitchell, they include another daughter, Ju’Lene Coney, and two sons, Larry Stevenson and Bahnamous Bowie. They all survive her, along with 10 grandchildren. Although her pop career had largely wound down, she continued to sing occasionally on Lester Bowie’s records and performed gospel with her mother and half-brother David Peaston.Fontella's marriage to Lester Bowie ended in divorce, and Bowie died in 1999. David Peaston died in February. Bass had long maintained that she helped write “Rescue Me” and was deprived of proper credit and songwriting royalties. By 1990, she said that she was living in near-poverty when her career turned around after she heard “Rescue Me” used in an American Express commercial, and she began to press for remuneration for her work. Fontella sued American Express in 1993, and she received a significant settlement. In 1995 Bass released “No Ways Tired,” which was nominated for a Grammy for best traditional soul gospel album. Her subsequent releases included “Travellin’ ” in 2001 and “All That You Give,” a collaboration with the British electronic group the Cinematic Orchestra, in 2002. Fontella Bass rescued herself, she said, when she began to stand up for her rights as an artist. “It was as if the Lord had stepped right into my world,” Bass told Newsweek magazine in 1995. “I looked around and got back my royalties. I started to go to church every Sunday. And that’s what saved me."